Winckelmann revolutionized the historiography of ancient art by turning to the mystique of erotic contemplation. The artists’ school was in the gyms, he writes as he imagines Fidias going to the stadium to study the harmonious proportions of the athletes, their muscles in tension, the choreographic beauty of the struggles in the arena… Also, he figured Socrates in the arena recruiting young ephebos to whom to instruct in the art of the temperance. The contemplation […]
Rage, Angst, Deal … and now Faust: in the titles of Anne Imhof projects converge feelings associated with anxiety and juvenile nonconformity with the transactional component of any social contract or illicit agreement. Imhof has transformed the German pavilion of the Venice Biennale into delusive glass cages, before which it is difficult to know if those who are captive are the performers or the spectators. Transparency acts in the opposite direction to the fog in […]
