Synergies between dance and fine arts are ancestral, prior to the segmentation between disciplines. In the 20th century, when this compartmentalization is called into question, when the limits between one and the other languages begin to be forced, pioneering dancers like Isadora Duncan and Loie Fuller take the stage. It is therefore not a matter of indifference that Rodin admired these two women and that by drawing again and again their fluid movements on the […]