Collage is a playful craft capable of escape the false absolutism of things, as Max Ernst said, because juxtaposing different realities these are relativized in a poetic and subversive way. But Max Ernst couldn’t yet foresee the current invasion of informative and disinformative collages circulating daily before our eyes, which makes the nowadays artists work of scissors and glue more complicated. The social, hegemonic and patriarchal imaginary has been able to appropriate the fortuitous encounter proclaimed […]
Tag: feminism
Diana Coca, cross-border tactics
The same gray spreading through highways, tunnels and level crossings, manufacturing plants and new construction blocks. Suburban landscapes that only tread on infinite number of wheels, unavailable for the passer-by. Edges of cement more and more extensive that are repeated without hardly variation all over the world. Also the boundaries, increasingly high, longer, more impassable, are a model that extends through the world with few variations: containment barriers, electrified wire fences, motion sensors… In both […]
Lee Lozano: splices, short circuits and scapes
Lee Lozano was an artist who didn’t want to be one more piece in the gear of art, who by her blood and guts came to choose what type of buyer were suitable to acquire her work; who decided where, how and when to exhibit; who fixed the moment of get to the top of her career and the term to finish it. Stubborn and irreverent, in 1970 managed to show in the most prestigious […]
Veronica Ruth Frias, life breaking the solemnity of art
The equivalence between art and life, the will to make life a matter of art in order to question inertia and patterns of behavior was decisive in the happening of the seventies, in the actions of Fluxus, in the first wave of feminism … However, during the last third of the twentieth century, the theme of motherhood was a burden for women artists, obsessed in their struggle to escape from the domestic sphere to which […]
María María Acha-Kutscher, between document and dream
As a nod to Genesis and its 7 days of Creation, Max Ernst summarized in “a week of kindness” his vision of human brutality. Made in the convulsive interwar period, he allegorized on the darker instincts. Its subversive power lay in the perfect blend between fragments from nineteenth-century publications of all kinds, from melodramatic novels to extracts from natural science journals. This poetic and poignant way of decompose reality seduced María María Acha-Kutscher, and it […]
Raisa Maudit, when the damned take over the world
André Lepecki attributed to the figure of street dancer the power to break creatively preset circulation in the preassigned locations, opposing the police choreography the choreopolitics, which spread the movement from one body to another, transmitting affections, favoring the emergence of the subject where it has been ignored. One movement, multiple singular ways to express it. For Raisa Maudit the movement is also a liberating and contagious exercise, radiating anarchic invectives from the body dramaturgy. […]