marta beltran - honor perdido - le bastart

Marta Beltrán, she got her gun

Whether we are more or less moviegoers, the filmic imprint has been storing in our subconscious. Maybe if we close our eyes and grope in our psychic archive, we will find an endless list of open files where childhood obsessions and footage from films that marked our lives seem to have been emulsified in the same bobbin. Although it would be absurd to pretend that we can discern between what we really lived and what […]

hayv kahraman - musical chairs - le bastart

Hayv Kahraman, body as a container of diasporic memories

Despite the truths embedded in Theodor Adorno’s statement that it’s impossible to write poetry after Auschwitz, it’s equally true that in the face of horrors and traumas of war, lyrical beauty is often the only avenue of catharsis. When Hayv Kahraman recollects episodes from her childhood in a besieged Iraq, she recovers the human warmth that drove away fears while seeking refuge in anti-aircraft shelters. During temporary cease-fires, children left their hideouts and challenged each […]

tracey moffatt - other - le bastart

Tracey Moffatt, interracial desire, a matter of ghosts

Je pense que le couple nègre/blanche est pire qu’une bombe, writes Dany Laferrière (Comment faire l’amour avec un nègre sans se fatiguer, 1985). Sexuality is, more than anything, a matter of ghosts, and the ghost that join a black man and a white woman is one of the most explosive that there is. Sexual imaginaries in relation to ethnic otherness continue to bear the burden of colonial legacy. The topics are renewed, adapting to the changing demands […]

gema ruperez - be a heroe - le bastart

Gema Rupérez, longing for survival

In a state of nature, man is a wolf to man according to Hobbes, so it was necessary a behavior agreement. The social contract was born of the fear that we inspired each other. But living in society, the survival instinct is added to competitive anxieties and an aggressiveness inoculated by the system that makes the man a wolf with a tie, to men and to women. So, where are we going?, Gema Rupérez asks us in […]

cathy wilkes - my money moma - le bastart

Cathy Wilkes, layers of reality

Between the frivolous perfection of a mannequin and the tenderness of a handmade doll would be suggested an ample range of extremes and dualities. With one and the other Cathy Wilkes builds domestic scenarios where stereotyped models of femininity are just as or more fragile than those papier maché family groups. On the one hand, we walk among beautiful mannequins pushing strollers that in the mind of a window display designer would be arrange to […]

anumusma - pantys religiosa - le bastart

Anamusma, I start from my own to step outside myself

Poor is the prince who tries to take one of the shoes that Anamusma distributes through her revisited tales, because he runs the risk of being attacked by a vagina-dentata or of the clog rotting like beef in his hands. The shoe is one of the fetishes that Ana Vázquez (Anamusma) has managed to transgress the submission of women to aesthetic conventions, establishing linguistic and conceptual parallelisms between the stiletto heel and the surgical punch or the butcher knife […]

tracey moffatt - vigil - le bastart

Suspension of rights as a rule of law

Emergency art for a normalized state of exception Ukrainian blondes arrive from the East to fulfill men dreams that only money can buy. Other blondes come from Ukraine, amazons who have been risking their lives for years to denounce proxenitism, sexual exploitation, abuse against minorities… It is said of the legendary Amazons that they cut their breasts to handle the bow with greater skill. For Femen girls, instead, their breasts are weapons. On their naked […]

nino maza - seminario - le bastart

The art of borrowing without asking

The practice of appropriation is to apply an ecological sense to art, to recycle signs and forms from the past, often with the intention of desecrating icons, subverting canons, resignifying what used to be true in distant times. Javier Díaz Guardiola, Carmen González Castro and Nino Maza, a triad of curators of which the latter two also participate with their pieces, invite ten artists to “rewind and remaster” tongue in cheek. The hair of the […]