yann leto - boxeo - le bastart

Yann Leto, sur un coup de tête

A bottle of Jack Daniels, a box of antidepressants showing its empty blister packs, rolling papers and cigarettes, all on the table as a kind of first aid kit, becomes a self-portrait of Yann Leto in the doldrums. This painting, Knock out, despite occupying a modest place in his current exhibit, The Round, gives some emotional intimacy to a set of works in which the quadrilateral is the leitmotiv of a confrontation between two bodies […]

enrique marty - failure - le bastart

Enrique Marty, when our everyday life is cracking up

Failed sculptures, false monuments, fallen idols, fanatics and misfits, big feet and delirious brains. Enrique Marty expresses over and over again the “sense of failure” (Sense of failure was the title of one of his latest shows), the absurdity and the misunderstanding that, far from jamming the gears of the world, lubricates them. But not all is lost. If there is one thing the Salamancan artist believes in, it is catharsis — that fear and […]

miguel scheroff - ritual - le bastart

Miguel Scheroff, the twilight of all species

The lament for the fleetingness of life is rarely expressed in the art before the Baroque, when the Vanitas genre reaches its maximum expression. Perhaps this could be related to the beginning of the human rebellion against death: neither the resignation to the collective destiny of the Middle Ages nor the Renaissance rationalism in whose limpid Euclidean spaces there was no place for the shadows. Miguel Scheroff, interested in the clair-obscure of human existence, in […]

martinez canovas - nido - le bastart

Martínez Canovas. Highbrow? Lowbrow? What the hell!

Superstition, ignorance, hypocrisy, gluttony … there was no vice or stupidity that was not mocked in sayings and proverbs, in turn, translated into the visual arts by Flemish painters of the Renaissance. In the villages painted by Pieter Brueghel The Elder sanity would be a misunderstood exoticism while Hieronymus Bosch (devout and imaginative in equal parts) fused the popular saying “the world is a hay-cart” with Isaiah’s warning: “all flesh is grass”. Martínez Cánovas also […]

nathalie rey - fukushima - le bastart

Nathalie Rey, millenium monsters and other cruel tales

The past is imprinted in the world of objects, in everything that we call “inanimate” even though if it did not have some kind of “anima” it would not encourage the memories. The work of Nathalie Rey pivots around memory, which she guts and sews on her operating table, dissecting recycled stuffed animals, her “little monsters”. Intelligence should not intervene in the archeology of memory, at least at first, in a first approach, wrote Proust, […]

paloma pajaro - durero - le bastart

Paloma Pájaro, rethinking the human

The wisdom of Homo Sapiens is questionable. The more knowledge, the less understanding. It would have been more appropriate to call the species Homo Spiritualis, said the anthropologist amazed by the rock art of the cave of Chauvet. But, as the title of Werner Herzog’s documentary reads, those ancestral dreams were forgotten. But, as it says in the title of Werner Herzog’s documentary, those ancestral dreams were forgotten. We neither understand the propitiatory meaning of these magical symbols nor […]

maria carbonell - mask - le bastart

María Carbonell, injured bodies, insurgent gestures

What took its name from a historic battle, the balaclava, a garment that later shrouded in secrecy the heroes of the resistance, and so many movements that fought and continue fighting against the abuse of power, but it also camouflages the identity of bank robbers or rapists, also wrestling attire, has ended up playing a function so little epic as that of sunscreen on the crowded Chinese beaches. The paintings of María Carbonell lead us […]

romina de novellis - gradiva - le bastart

Romina de Novellis, old myths, new rites

What is the distance between a Swede sculptural beauty soaking in the Fontana di Trevi and an Italian brunette eating spaghetti, in a histrionic style, before the Fontaine Saint Michel in Paris? The latter, in a cannibal act, “devours” the misogynous construction that the first epitomize. It was one of the urban performances that the Neapolitan artist Romina de Novellis made when settling in the French capital (Splash! La Dolce Vita a Parigi 2010). Continuing […]