The chronicle of a death so often announced, that of painting, is nothing more than the narrative of a progressive liberating itself from layers and layers of dogma and ideology. With the first avantgarde movements was exempted from the obligation to represent the outside world but entrusted with the search for the Absolute or the search of a lost “ego”. With minimalism, they wanted to deprive painting of spirit so that it was only matter […]
Even the most princely doll becomes a capable proletarian comrade in the children’s play commune (Walter Benjamin, “Old Toys” 1928) During our childhood, we have all eviscerated a stuffed animal or disemboweled a toy. Baudelaire interpreted this impulse as a “first metaphysical tendency”: the child looks for the soul of his doll, but when he does not find it, sadness or stupor ensues. What Walter Benjamin would reply to the French poet is that the soul […]
Moths, those butterflies that have a tendency to get lost, that feel a fatal attraction by light to the point of being burned to death, seem to us disturbing creatures. Their scorched wings remind us of Icarus’ suicidal impulse. On the other hand, perhaps they look to us unsettlingly familiar because we do nothing but flit around blinding electronic lights. Moths have fascinated writers and poets. The glimmer of light they leave in their wake […]
Darwin considered that letting out one’s emotions was something inappropriate for “civilized” men. Instead, crying was proper for weak personalities, that is, women with a hysterical tendency, senile old men and children, as well as “primitive” people. But, in spite of his andro and Eurocentric blindness, Darwin study of the phylogenetic transmission of behaviors and expressions influenced a thinker who would revolutionize the way of reading images and approaching the history of art, Aby Warburg. […]
When a subject carries such a devastating intensity as it was to turn modern art into a tool of torture, it is likely that any exposition about it will defraud us. But it can also happen that, as in Pedro G Romero‘s “Room”, the playful lightening of the weight of History predisposes us to more flexible and audacious readings, freed from moral servitudes and invented truths. During the Spanish civil war, the checas were centers of detention […]
During the 19th century, panoptic architecture applied to prisons became gradually widespread in Europe, prisons in which the feeling of being watched by the eye that sees all would implant a sort of censoring chip inside each prisoner. When Barcelona hosted the Universal Exhibition, in 1888, it closed basements and dungeons and also opened its model prison. It is said that at the beginning it was known as hotel entença (the street name) because it was […]
Historian Aby Warburg urged his contemporaries to read the images as symptoms, no longer as symbols or as signifiers. The symptomatic emerges when a choreographic substrate (gestures, emotions …) articulates unconscious relations between them. Today, in a world saturated with images without context or entity, transversal readings are even more necessary. Cristina Toledo, in her painting, strips the black and white surfaces of vintage photographs she finds on the internet, to rescue latencies captured in […]
It happened returning from school, along the road so many times traveled. He walked beneath a power-line when he saw a feather falling, and before it reached the ground Ernst had already climbed to the top, searching the nest. He was fascinated by birds. There were the pigeons, but the sudden arrival of their mother frightened him. He grabbed the cables to avoid falling and the electric shock caused him an irreparable damage. He was […]
