la ribot - mariachi 17 - le bastart

La Ribot; keep moving, change position

Synergies between dance and fine arts are ancestral, prior to the segmentation between disciplines. In the 20th century, when this compartmentalization is called into question, when the limits between one and the other languages begin to be forced, pioneering dancers like Isadora Duncan and Loie Fuller take the stage. It is therefore not a matter of indifference that Rodin admired these two women and that by drawing again and again their fluid movements on the […]

aes+f - trimalchio - le bastart

AES+F, existence as perpetual limbo

Entertainment in its most advanced state is no longer supported by evasion but rather by the exploitation of extreme emotions. Bruce Bégout speculated about it in his novel Le Park, about an island transformed into a resort not suitable for mass tourism, in which visitors could satisfy their most perverse desires. Dungeons in casinos basements, dangerous jungles and neurobiological architecture contributed to fill their morbid thirst for spectacle. The nouveau riche who participate in the […]

adrian pino - metamorfosis - le bastart

Adrián Pino Olivera, from logos to myth

Among all the living creatures only the human race is free and eccentric, to say of Pico della Mirandola, because her freedom allows her to rise to the supracelestial spheres and at the same time to descent and drown in the mud. His colleague Marsilio Ficino founded in Eros, love, the integrative principle between matter and spirit, between the intelligible and the invisible orders that live beyond the astral world. Because the longing for beauty, […]

fito conesa - waltz - le bastart

Fito Conesa, in crescendo

The narrative obfuscate me, the words confine me, writes Fito Conesa. Music, on the other hand, offers unsuspected cadences, tones and interior intensities that can be modulated by unconventional overlaps between image and sound, between present and past, presences and absences. Conesa has given musical form or of instrumental composition to naval battles (Fantasy and fugue for Tsushima 2015), to suburban sunrises (Ouverture 2011), to the routine going up and down of an elevator (Chamber […]