carol rama - seduzioni - le bastart

Carol Rama, one hundred years dancing backwards

Alors vous lui réapprendrez à danser à l’envers comme dans le délire des bals musette et cet envers sera son véritable endroit, Antonin Artaud It was back in the 1930’s when Antonin Artaud was in and out of asylums; in the same decade, Carol Rama went daily to visit her mother admitted to a psychiatric clinic. The encounter with sick bodies and confinement conditions inspired her first watercolors. In 1945, Rama celebrates her first exhibition […]

tracey moffatt - other - le bastart

Tracey Moffatt, interracial desire, a matter of ghosts

Je pense que le couple nègre/blanche est pire qu’une bombe, writes Dany Laferrière (Comment faire l’amour avec un nègre sans se fatiguer, 1985). Sexuality is, more than anything, a matter of ghosts, and the ghost that join a black man and a white woman is one of the most explosive that there is. Sexual imaginaries in relation to ethnic otherness continue to bear the burden of colonial legacy. The topics are renewed, adapting to the changing demands […]

orge carruana - shunga - le bastart

Jorge Carruana, love under the shrapnel

To be born in the forties of last century in a Cuba in transit between a dictatorship and a revolution that was nothing more than the preamble of another dictatorial regime, growing lulled by black and white Disney cartoons while the news were reporting the final leg of the Second World War, the sorcerer’s apprentice…, all that left a hotchpotch of memories in Jorge Carruana‘s vertiginous imagination. These lasting memories will return as raw images […]

lee lozano - portrait - le bastart

Lee Lozano: splices, short circuits and scapes

Lee Lozano was an artist who didn’t want to be one more piece in the gear of art, who by her blood and guts came to choose what type of buyer were suitable to acquire her work; who decided where, how and when to exhibit; who fixed the moment of get to the top of her career and the term to finish it. Stubborn and irreverent, in 1970 managed to show in the most prestigious […]

david trullo - boys love - le bastart

David Trullo, subversive museographies

David Trullo travels to the past again and again. It has done so by collecting visual flashes that somehow contributed to forge his personality (Timewarp), reconstructing episodes mutilated by the heteronormative speech (A true history) … Now, in his two current expositions reviews the queer iconography confronting with pieces of the National Museum of Decorative Arts (Queer cabinet) and tracing a personal homoerotic genealogy impregnated with lyricism and irony in equal parts (Souvenirs). The truth […]

pierre molinier - hanel - le bastart

Molinier and D’Agata, orphic beings

Photography is always a capture of an announced death. There is no future in it, said Roland Barthes. What you show will no longer return, if it has ever been. No wonder it is an artistic expression of those who are seduced by death most. Both the self-portraits that Pierre Molinier staged in the last years of his life locked in his apartment, like the photographs that Antoine d’Agata has been making from himself and […]

paul mccarthy - tied woman - le bastart

Paul McCarthy, the legacy of the Old West

Hygiene is the religion of fascism, Paul McCarthy told to his interlocutor in an interview in which he spoke of his intention to transform Hummel porcelain figurines into grotesque characters with phallic noses. His desire to unveil the obscene side of the idyllic pastoral life represented by these kitsch statuettes, to desecrate his cloying neatness, extends to all his artistic production, dedicated to turning the patriarchal morality around. And against social hygiene McCarthy proposes the […]

alejandro casanova - image thief - le bastart

Alejandro Casanova, interchangeable intimacy

Publicity and pornography have made the conversion of the subject into object (decorative or sexual) to acquire degrading connotations, but the commodification of the human body is linked to the history of art, has been its leitmotiv for centuries. If in the history of painting we review the evolution on the treatment of the naked or the intimate framing that spurs the spectator-voyeur libido, we can study how the parameters of shyness change with the […]