aes+f - feast of trimalchio - le bastart

Petit tour

For those who believe the aesthetic experience is an intellectual and sensitive exchange, for whom the communication between the piece of art and the viewer should be intimate and personal, the expression “cultural tourism” is almost an oxymoron. Within the “must-see” museums is reproduced on a small scale what usually happens on an urban scale: the tourist goes through the corridors as transit zones to get in front of a “required selfie” masterpiece, and once […]

carles congost - wolf motives - le bastar

Carles Congost, audiovisual metarratives

Seeing Carles Congost video creations, a cross of film and television genres for a moment confuse us, more if several of them come together in the same exhibition space, forcing us to rewire our cognitive habits, our audiovisual imaginary, after that initial flicker our senses are sharpened. The conceptual palimpsest is not far behind the formal experiment. Thus, in Simply the best (2016), a Swiss firefighter who loves his work as much as African-American music, speaks about negro spirituals […]

cosey fanni tutti - scarlet - le bastart

Cosey Fanni Tutti and other scarlet girls

The fragile boundary between art and pornography has always worried scholars, museographers and guarantors of morality, which from the mid-nineteenth century, when the category “obscenity” assumed a legal status in England, gave rise to countless proceedings, committees and reviews of the illicit. In the midst of the sexual liberation, what happened inside the courts seemed insulated in a bubble, alien to the radical changes that were affecting even the meaning of art. In the Longford […]

fatima mazmouz - uterus - le bastart

Fatima Mazmouz; the uterus, from a sacred niche to a desecrated territory

The uterus is a restless animal, which if not fertilized in time it moves through the woman body causing havoc wherever it goes: palpitations, seizures… It was that simple the diagnosis that doctors and philosophers such as Hippocrates and Plato attributed to what they called “hysteria”, a Greek term referring to the womb. And centuries go by… and psychoanalysis continued to relate unsatisfied female sexuality with “hysterical” disorders. Actually, the bizarre history of the uterus […]

romina de novellis - gradiva - le bastart

Romina de Novellis, old myths, new rites

What is the distance between a Swede sculptural beauty soaking in the Fontana di Trevi and an Italian brunette eating spaghetti, in a histrionic style, before the Fontaine Saint Michel in Paris? The latter, in a cannibal act, “devours” the misogynous construction that the first epitomize. It was one of the urban performances that the Neapolitan artist Romina de Novellis made when settling in the French capital (Splash! La Dolce Vita a Parigi 2010). Continuing […]

raquel paiewonsky - guardarropia - le bastart

Raquel Paiewonsky, irreducible hybridity

The island’s geography has been chosen by writers and utopians as the ideal place for the development of horizontal communities, without rich or poor, without envy or competitiveness, such as Aldous Huxley’s Pala. But the history tells us otherwise, locating in the most beautiful islands bloody chronicles of colonial despotism, cultural extermination and natural exploitation, to end up as a cover photo in a tourist brochure. The Dominican Raquel Paiewonsky belongs to a generation of […]

la ribot - mariachi 17 - le bastart

La Ribot; keep moving, change position

Synergies between dance and fine arts are ancestral, prior to the segmentation between disciplines. In the 20th century, when this compartmentalization is called into question, when the limits between one and the other languages begin to be forced, pioneering dancers like Isadora Duncan and Loie Fuller take the stage. It is therefore not a matter of indifference that Rodin admired these two women and that by drawing again and again their fluid movements on the […]

anumusma - pantys religiosa - le bastart

Anamusma, I start from my own to step outside myself

Poor is the prince who tries to take one of the shoes that Anamusma distributes through her revisited tales, because he runs the risk of being attacked by a vagina-dentata or of the clog rotting like beef in his hands. The shoe is one of the fetishes that Ana Vázquez (Anamusma) has managed to transgress the submission of women to aesthetic conventions, establishing linguistic and conceptual parallelisms between the stiletto heel and the surgical punch or the butcher knife […]