enrique marty - failure - le bastart

Enrique Marty, when our everyday life is cracking up

Failed sculptures, false monuments, fallen idols, fanatics and misfits, big feet and delirious brains. Enrique Marty expresses over and over again the “sense of failure” (Sense of failure was the title of one of his latest shows), the absurdity and the misunderstanding that, far from jamming the gears of the world, lubricates them. But not all is lost. If there is one thing the Salamancan artist believes in, it is catharsis — that fear and […]

nico nubiola - catre - le bastart

Nico Nubiola, staying afloat

Nico Nubiola‘s creatures are idle of necessity. The horizontal or curled up position is its natural state. The sheets adhere to their skin, seem to suffer a perpetual hangover. Sometimes we see them wandering around as lifeless bodies next to a roadside supermarket. Mass tourism is not good either for them, they end up devouring each other. Degraded substitutes of urban and leisure spaces only can locate subjects that are degraded in the same way: […]

nathalie rey - fukushima - le bastart

Nathalie Rey, millenium monsters and other cruel tales

The past is imprinted in the world of objects, in everything that we call “inanimate” even though if it did not have some kind of “anima” it would not encourage the memories. The work of Nathalie Rey pivots around memory, which she guts and sews on her operating table, dissecting recycled stuffed animals, her “little monsters”. Intelligence should not intervene in the archeology of memory, at least at first, in a first approach, wrote Proust, […]

paloma navares - iluminaciones - le bastart

Paloma Navares, night vision

Continents too narrow for their content: bodies trapped in glass boxes, feline fierceness fading in black cages … The bars jail, like the panthers, were no more than shadows of a deep dream of Paloma Navares, shadows that throughout her life has been veiling appearances, so she has been forced to grope what is not apparent. The idea of confinement that upholds her artistic work is probably a reflection of the fear of being trapped […]

raquel paiewonsky - guardarropia - le bastart

Raquel Paiewonsky, irreducible hybridity

The island’s geography has been chosen by writers and utopians as the ideal place for the development of horizontal communities, without rich or poor, without envy or competitiveness, such as Aldous Huxley’s Pala. But the history tells us otherwise, locating in the most beautiful islands bloody chronicles of colonial despotism, cultural extermination and natural exploitation, to end up as a cover photo in a tourist brochure. The Dominican Raquel Paiewonsky belongs to a generation of […]

gema ruperez - be a heroe - le bastart

Gema Rupérez, longing for survival

In a state of nature, man is a wolf to man according to Hobbes, so it was necessary a behavior agreement. The social contract was born of the fear that we inspired each other. But living in society, the survival instinct is added to competitive anxieties and an aggressiveness inoculated by the system that makes the man a wolf with a tie, to men and to women. So, where are we going?, Gema Rupérez asks us in […]

cathy wilkes - my money moma - le bastart

Cathy Wilkes, layers of reality

Between the frivolous perfection of a mannequin and the tenderness of a handmade doll would be suggested an ample range of extremes and dualities. With one and the other Cathy Wilkes builds domestic scenarios where stereotyped models of femininity are just as or more fragile than those papier maché family groups. On the one hand, we walk among beautiful mannequins pushing strollers that in the mind of a window display designer would be arrange to […]

la ribot - mariachi 17 - le bastart

La Ribot; keep moving, change position

Synergies between dance and fine arts are ancestral, prior to the segmentation between disciplines. In the 20th century, when this compartmentalization is called into question, when the limits between one and the other languages begin to be forced, pioneering dancers like Isadora Duncan and Loie Fuller take the stage. It is therefore not a matter of indifference that Rodin admired these two women and that by drawing again and again their fluid movements on the […]