tracey moffatt - vigil - le bastart

Suspension of rights as a rule of law

Emergency art for a normalized state of exception Ukrainian blondes arrive from the East to fulfill men dreams that only money can buy. Other blondes come from Ukraine, amazons who have been risking their lives for years to denounce proxenitism, sexual exploitation, abuse against minorities… It is said of the legendary Amazons that they cut their breasts to handle the bow with greater skill. For Femen girls, instead, their breasts are weapons. On their naked […]

nino maza - seminario - le bastart

The art of borrowing without asking

The practice of appropriation is to apply an ecological sense to art, to recycle signs and forms from the past, often with the intention of desecrating icons, subverting canons, resignifying what used to be true in distant times. Javier Díaz Guardiola, Carmen González Castro and Nino Maza, a triad of curators of which the latter two also participate with their pieces, invite ten artists to “rewind and remaster” tongue in cheek. The hair of the […]

raeda saadeh - vacuum - le bastart

Arab women artists: body, home, territory

The Book of Genesis talks about a man and a woman made together in the image of God. We are not talking about Eva, Adam’s subaltern product, born from his rib as if she were a cyst. We are talking about Lilith, born of dust with Adam on the sixth day. But she soon disappeared from the manichaean script of good and evil. She left Paradise and went into the desert, taking refuge on the […]

marcel dzama - flowers have horns - le bastart

Marcel Dzama, make love… and war

A wooden house in a Canadian forest inhabited with maples and polar bears, isolated from the world except for the macabre news that broadcast a radio as stringing fragments of cruel tales. Howls of wolf and shots of hunters interrupt sometimes the announcer voice. A teenage boy in his pajamas, wrapped in his bed, gazes at the snowy meadows through the fogged glass of the window. He gets up at midnight, takes a piece of paper and […]

aurora duque - eos titono - le bastart

Aurora Duque, why do they call it love?

Collage is a playful craft capable of escape the false absolutism of things, as Max Ernst said, because juxtaposing different realities these are relativized in a poetic and subversive way. But Max Ernst couldn’t yet foresee the current invasion of informative and disinformative collages circulating daily before our eyes, which makes the nowadays artists work of scissors and glue more complicated. The social, hegemonic and patriarchal imaginary has been able to appropriate the fortuitous encounter proclaimed […]

allan kaprow - comfort zones - le bastart

Allan Kaprow, art was like the weather

A and B on their knees slowly approaching each other, A drooling and B wiping the drool, repeating the operation until A can’t drool anymore. This was one of the acts or chapters of Comfort zones activity that Allan Kaprow presented in the mythical Vandrés gallery in a city, Madrid, living a period of suspense (1975), expectant before the impending death of Franco. CA2M (Centro de Arte Dos de Mayo) now recuperates that event managed by Fernando Vijande, which meant the […]

paula rego -shakespeare - le bastart

Paula Rego, spawns of the social monster

The mind of Paula Rego works as an alchemical still. She has the hability to absorb, distill and transmute essences of life and fable in which her literary readings reactivate hidden “reefs” of the subconscious. She composes visual stories in which remnants of personal and collective history, dream and memory, intertwine in each other, forming dense plots that trap us, not so much by the narration itself as by the way of joining together. Halfway […]

teresa margolles - pistas baile - le bastart

Teresa Margolles, exhuming the fear

Looking at Teresa Margolles work as a whole, we observe that it underlies in it an inherent processual logic, which, interlinking from project to project becomes stronger, and it goes against the systemic logic of capitalism in its gore side (as the also Mexican Sayak Valencia rightly called it). Thus, against the trivialisation of crime she claims grieving for each body, facing the anonymity and reification of the victims she opposes their individuation, in front […]