anumusma - pantys religiosa - le bastart

Anamusma, I start from my own to step outside myself

Poor is the prince who tries to take one of the shoes that Anamusma distributes through her revisited tales, because he runs the risk of being attacked by a vagina-dentata or of the clog rotting like beef in his hands. The shoe is one of the fetishes that Ana Vázquez (Anamusma) has managed to transgress the submission of women to aesthetic conventions, establishing linguistic and conceptual parallelisms between the stiletto heel and the surgical punch or the butcher knife […]

diana larrea - sistema de ventilacion - le bastart

Diana Larrea, reinventing streets, rewriting history

She subverts official versions of reality, understands other means of inhabite the city, celebrates anniversaries of women artists missing from art books, she prefers ephemeral interventions in street than museographic embalming of experience…, we could say that Diana Larrea always has felt attracted by the other side of the moon. This is the title of an ongoing group exhibition curated by Tomás Ruiz-Rivas, and refers to the alternative history of recent artistic practices that has […]

marcel dzama - flowers have horns - le bastart

Marcel Dzama, make love… and war

A wooden house in a Canadian forest inhabited with maples and polar bears, isolated from the world except for the macabre news that broadcast a radio as stringing fragments of cruel tales. Howls of wolf and shots of hunters interrupt sometimes the announcer voice. A teenage boy in his pajamas, wrapped in his bed, gazes at the snowy meadows through the fogged glass of the window. He gets up at midnight, takes a piece of paper and […]

aurora duque - eos titono - le bastart

Aurora Duque, why do they call it love?

Collage is a playful craft capable of escape the false absolutism of things, as Max Ernst said, because juxtaposing different realities these are relativized in a poetic and subversive way. But Max Ernst couldn’t yet foresee the current invasion of informative and disinformative collages circulating daily before our eyes, which makes the nowadays artists work of scissors and glue more complicated. The social, hegemonic and patriarchal imaginary has been able to appropriate the fortuitous encounter proclaimed […]

diana coca - pekin - le bastart

Diana Coca, cross-border tactics

The same gray spreading through highways, tunnels and level crossings, manufacturing plants and new construction blocks. Suburban landscapes that only tread on infinite number of wheels, unavailable for the passer-by. Edges of cement more and more extensive that are repeated without hardly variation all over the world. Also the boundaries, increasingly high, longer, more impassable, are a model that extends through the world with few variations: containment barriers, electrified wire fences, motion sensors… In both […]

lee lozano - portrait - le bastart

Lee Lozano: splices, short circuits and scapes

Lee Lozano was an artist who didn’t want to be one more piece in the gear of art, who by her blood and guts came to choose what type of buyer were suitable to acquire her work; who decided where, how and when to exhibit; who fixed the moment of get to the top of her career and the term to finish it. Stubborn and irreverent, in 1970 managed to show in the most prestigious […]

veronica ruth frias- last supper - le bastart

Veronica Ruth Frias, life breaking the solemnity of art

The equivalence between art and life, the will to make life a matter of art in order to question inertia and patterns of behavior was decisive in the happening of the seventies, in the actions of Fluxus, in the first wave of feminism … However, during the last third of the twentieth century, the theme of motherhood was a burden for women artists, obsessed in their struggle to escape from the domestic sphere to which […]

maria acha-kutscher - womankind day 178- le bastart

María María Acha-Kutscher, between document and dream

As a nod to Genesis and its 7 days of Creation, Max Ernst summarized in “a week of kindness” his vision of human brutality. Made in the convulsive interwar period, he allegorized on the darker instincts. Its subversive power lay in the perfect blend between fragments from nineteenth-century publications of all kinds, from melodramatic novels to extracts from natural science journals. This poetic and poignant way of decompose reality seduced María María Acha-Kutscher, and it […]