carlos motta - corpo fechado - le bastart

Carlos Motta, drilling peepholes in the official history

“The body is a repository of marks”, we are told at one point in one of Carlos Motta‘s visual essays, Lágrimas (2017). Many of the works of this Colombian artist speak about colonial and postcolonial marks, metaphorical scars on flesh and desire, indelible despite the passing of centuries. Jacques Derrida, for whom the concept of cultural “sign” or “scar” was so important, said that it is not possible to escape the Judeo-Christian tradition. Even the death […]

margaret harrison - guernica aleppo - le bastart

Margaret Harrison, humor and courage

London was a hotbed of dissent and underground activity at the end of the sixties, and when it came to surface it was like burning lava. Miss World 1970 will be remembered not so much for the award-winning beauties but for the rain of stink bombs and leaflets on the Royal Albert Hall stage, and for the banners with which young feminists expressed their rejection of that cattle market. Among the activists, there was one […]

yann leto - boxeo - le bastart

Yann Leto, sur un coup de tête

A bottle of Jack Daniels, a box of antidepressants showing its empty blister packs, rolling papers and cigarettes, all on the table as a kind of first aid kit, becomes a self-portrait of Yann Leto in the doldrums. This painting, Knock out, despite occupying a modest place in his current exhibit, The Round, gives some emotional intimacy to a set of works in which the quadrilateral is the leitmotiv of a confrontation between two bodies […]

maria carbonell - mask - le bastart

María Carbonell, injured bodies, insurgent gestures

What took its name from a historic battle, the balaclava, a garment that later shrouded in secrecy the heroes of the resistance, and so many movements that fought and continue fighting against the abuse of power, but it also camouflages the identity of bank robbers or rapists, also wrestling attire, has ended up playing a function so little epic as that of sunscreen on the crowded Chinese beaches. The paintings of María Carbonell lead us […]

romina de novellis - gradiva - le bastart

Romina de Novellis, old myths, new rites

What is the distance between a Swede sculptural beauty soaking in the Fontana di Trevi and an Italian brunette eating spaghetti, in a histrionic style, before the Fontaine Saint Michel in Paris? The latter, in a cannibal act, “devours” the misogynous construction that the first epitomize. It was one of the urban performances that the Neapolitan artist Romina de Novellis made when settling in the French capital (Splash! La Dolce Vita a Parigi 2010). Continuing […]

hayv kahraman - musical chairs - le bastart

Hayv Kahraman, body as a container of diasporic memories

Despite the truths embedded in Theodor Adorno’s statement that it’s impossible to write poetry after Auschwitz, it’s equally true that in the face of horrors and traumas of war, lyrical beauty is often the only avenue of catharsis. When Hayv Kahraman recollects episodes from her childhood in a besieged Iraq, she recovers the human warmth that drove away fears while seeking refuge in anti-aircraft shelters. During temporary cease-fires, children left their hideouts and challenged each […]

raquel paiewonsky - guardarropia - le bastart

Raquel Paiewonsky, irreducible hybridity

The island’s geography has been chosen by writers and utopians as the ideal place for the development of horizontal communities, without rich or poor, without envy or competitiveness, such as Aldous Huxley’s Pala. But the history tells us otherwise, locating in the most beautiful islands bloody chronicles of colonial despotism, cultural extermination and natural exploitation, to end up as a cover photo in a tourist brochure. The Dominican Raquel Paiewonsky belongs to a generation of […]

diana coca - pekin - le bastart

Diana Coca, cross-border tactics

The same gray spreading through highways, tunnels and level crossings, manufacturing plants and new construction blocks. Suburban landscapes that only tread on infinite number of wheels, unavailable for the passer-by. Edges of cement more and more extensive that are repeated without hardly variation all over the world. Also the boundaries, increasingly high, longer, more impassable, are a model that extends through the world with few variations: containment barriers, electrified wire fences, motion sensors… In both […]