anumusma - pantys religiosa - le bastart

Anamusma, I start from my own to step outside myself

Poor is the prince who tries to take one of the shoes that Anamusma distributes through her revisited tales, because he runs the risk of being attacked by a vagina-dentata or of the clog rotting like beef in his hands. The shoe is one of the fetishes that Ana Vázquez (Anamusma) has managed to transgress the submission of women to aesthetic conventions, establishing linguistic and conceptual parallelisms between the stiletto heel and the surgical punch or the butcher knife […]

tracey moffatt - vigil - le bastart

Suspension of rights as a rule of law

Emergency art for a normalized state of exception Ukrainian blondes arrive from the East to fulfill men dreams that only money can buy. Other blondes come from Ukraine, amazons who have been risking their lives for years to denounce proxenitism, sexual exploitation, abuse against minorities… It is said of the legendary Amazons that they cut their breasts to handle the bow with greater skill. For Femen girls, instead, their breasts are weapons. On their naked […]

nino maza - seminario - le bastart

The art of borrowing without asking

The practice of appropriation is to apply an ecological sense to art, to recycle signs and forms from the past, often with the intention of desecrating icons, subverting canons, resignifying what used to be true in distant times. Javier Díaz Guardiola, Carmen González Castro and Nino Maza, a triad of curators of which the latter two also participate with their pieces, invite ten artists to “rewind and remaster” tongue in cheek. The hair of the […]

raeda saadeh - vacuum - le bastart

Arab women artists: body, home, territory

The Book of Genesis talks about a man and a woman made together in the image of God. We are not talking about Eva, Adam’s subaltern product, born from his rib as if she were a cyst. We are talking about Lilith, born of dust with Adam on the sixth day. But she soon disappeared from the manichaean script of good and evil. She left Paradise and went into the desert, taking refuge on the […]

diana larrea - sistema de ventilacion - le bastart

Diana Larrea, reinventing streets, rewriting history

She subverts official versions of reality, understands other means of inhabite the city, celebrates anniversaries of women artists missing from art books, she prefers ephemeral interventions in street than museographic embalming of experience…, we could say that Diana Larrea always has felt attracted by the other side of the moon. This is the title of an ongoing group exhibition curated by Tomás Ruiz-Rivas, and refers to the alternative history of recent artistic practices that has […]

mapplethorpe - orchid - le bastart

Symbols of convulsive beauty

Man has always seen in other kingdoms, animal and plant ones, ideal that in his own are difficult to find in its pure state: the nobility of the dog, the beauty and freshness of the flower as love symbol… But if we pause at the latter and defoliat it without compassion, soon is revealed the illusion of these utopian images. Unlike the leaves, that age with dignity, according to Georges Bataille, flowers wither like old and snobbish overly made-up widows, […]

laura pineiro - botones - le bastart

Fine threading

Drawing lines in space, threading stories, making webs … the act of weaving has the quality of being able to include other arts, from drawing to architecture, through writing and music. One of the recurring images of the spinner in mythology is that of weaver of destiny: both the Greek Moiras and their Norse correlates. But the warp that we will trace in this writing defies this idea of predetermined destiny, because our plot will […]

allan kaprow - comfort zones - le bastart

Allan Kaprow, art was like the weather

A and B on their knees slowly approaching each other, A drooling and B wiping the drool, repeating the operation until A can’t drool anymore. This was one of the acts or chapters of Comfort zones activity that Allan Kaprow presented in the mythical Vandrés gallery in a city, Madrid, living a period of suspense (1975), expectant before the impending death of Franco. CA2M (Centro de Arte Dos de Mayo) now recuperates that event managed by Fernando Vijande, which meant the […]