raquel paiewonsky - guardarropia - le bastart

Raquel Paiewonsky, irreducible hybridity

The island’s geography has been chosen by writers and utopians as the ideal place for the development of horizontal communities, without rich or poor, without envy or competitiveness, such as Aldous Huxley’s Pala. But the history tells us otherwise, locating in the most beautiful islands bloody chronicles of colonial despotism, cultural extermination and natural exploitation, to end up as a cover photo in a tourist brochure. The Dominican Raquel Paiewonsky belongs to a generation of […]

irene cruz - blue - le bastart

Irene Cruz, territorial rootlessness, emotional roots

In l’heure bleue, nocturnal animals have already gone to sleep and diurnal ones have not yet awoken. The entomologist Jean-Henri Fabre talked about this magical hour as a privileged moment to observe quiet nature, before the parade of armored beetles and other hardened insects on which he fantasized as if they were exotic ethnic groups. During the twilight hour the forms blur, nothing remains, shadows become longer. The thought flows and looks inside. It is […]

gema ruperez - be a heroe - le bastart

Gema Rupérez, longing for survival

In a state of nature, man is a wolf to man according to Hobbes, so it was necessary a behavior agreement. The social contract was born of the fear that we inspired each other. But living in society, the survival instinct is added to competitive anxieties and an aggressiveness inoculated by the system that makes the man a wolf with a tie, to men and to women. So, where are we going?, Gema Rupérez asks us in […]

alejandro bombin - soltero - le bastart

Alejandro Bombín, high frequency disturbances

Andy Warhol wanted to be a machine, decoupling the artistic work from the human pulse, to eliminate the brushstroke. Alejandro Bombín wants to humanize the machine, recover the gesture, a margin for error. Between one and the other the digital revolution took place, making all of us massive producers of images, fulfilling the dream of the pop art master. We live in a democratizing media utopia (or dystopia, depending on the point of view), in […]

anumusma - pantys religiosa - le bastart

Anamusma, I start from my own to step outside myself

Poor is the prince who tries to take one of the shoes that Anamusma distributes through her revisited tales, because he runs the risk of being attacked by a vagina-dentata or of the clog rotting like beef in his hands. The shoe is one of the fetishes that Ana Vázquez (Anamusma) has managed to transgress the submission of women to aesthetic conventions, establishing linguistic and conceptual parallelisms between the stiletto heel and the surgical punch or the butcher knife […]

tania candiani - organ - le bastart

Tania Candiani, everything sounds

Between what resists to disappear and the premonitory dream of a future that has already been, Tania Candiani explores the revolutionary poetics of the anachronism and the universal curiosity that moves the world. She herself embodies that interdisciplinary curiosity that today seems relegated to art, given the drastic separation between fields of knowledge that once went hand in hand. We sense the same sensitivity and poetic emphasis in the way Tania gives new life and […]

diana larrea - sistema de ventilacion - le bastart

Diana Larrea, reinventing streets, rewriting history

She subverts official versions of reality, understands other means of inhabite the city, celebrates anniversaries of women artists missing from art books, she prefers ephemeral interventions in street than museographic embalming of experience…, we could say that Diana Larrea always has felt attracted by the other side of the moon. This is the title of an ongoing group exhibition curated by Tomás Ruiz-Rivas, and refers to the alternative history of recent artistic practices that has […]

aurora duque - eos titono - le bastart

Aurora Duque, why do they call it love?

Collage is a playful craft capable of escape the false absolutism of things, as Max Ernst said, because juxtaposing different realities these are relativized in a poetic and subversive way. But Max Ernst couldn’t yet foresee the current invasion of informative and disinformative collages circulating daily before our eyes, which makes the nowadays artists work of scissors and glue more complicated. The social, hegemonic and patriarchal imaginary has been able to appropriate the fortuitous encounter proclaimed […]