The practice of appropriation is to apply an ecological sense to art, to recycle signs and forms from the past, often with the intention of desecrating icons, subverting canons, resignifying what used to be true in distant times. Javier Díaz Guardiola, Carmen González Castro and Nino Maza, a triad of curators of which the latter two also participate with their pieces, invite ten artists to “rewind and remaster” tongue in cheek. The hair of the […]