The fragile boundary between art and pornography has always worried scholars, museographers and guarantors of morality, which from the mid-nineteenth century, when the category “obscenity” assumed a legal status in England, gave rise to countless proceedings, committees and reviews of the illicit. In the midst of the sexual liberation, what happened inside the courts seemed insulated in a bubble, alien to the radical changes that were affecting even the meaning of art. In the Longford […]