Seeing Carles Congost video creations, a cross of film and television genres for a moment confuse us, more if several of them come together in the same exhibition space, forcing us to rewire our cognitive habits, our audiovisual imaginary, after that initial flicker our senses are sharpened. The conceptual palimpsest is not far behind the formal experiment. Thus, in Simply the best (2016), a Swiss firefighter who loves his work as much as African-American music, speaks about negro spirituals […]