anne imhof - faust - le bastart

Anne Imhof, death alive in Venice

Rage, Angst, Deal … and now Faust: in the titles of Anne Imhof projects converge feelings associated with anxiety and juvenile nonconformity with the transactional component of any social contract or illicit agreement. Imhof has transformed the German pavilion of the Venice Biennale into delusive glass cages, before which it is difficult to know if those who are captive are the performers or the spectators. Transparency acts in the opposite direction to the fog in […]

Roberta Marrero, be a loser but a beautiful one

Roberta Marrero was born and grew up on an island, Gran Canaria, inserted in a culture, the Spanish, which in the beginning of the seventies was also insular, obscurantist and pious. At least, she remembers it thus. But that girl’s mind tore down all that fence, and with a genuinely postmodern spirit she began to record in her imaginary archive a peculiar iconographic blurring between stigmata and pop idol, between holy cards or sacred hearts […]

maria acha-kutscher - womankind day 178- le bastart

María María Acha-Kutscher, between document and dream

As a nod to Genesis and its 7 days of Creation, Max Ernst summarized in «a week of kindness» his vision of human brutality. Made in the convulsive interwar period, he allegorized on the darker instincts. Its subversive power lay in the perfect blend between fragments from nineteenth-century publications of all kinds, from melodramatic novels to extracts from natural science journals. This poetic and poignant way of decompose reality seduced María María Acha-Kutscher, and it […]

alejandro casanova - image thief - le bastart

Alejandro Casanova, interchangeable intimacy

Publicity and pornography have made the conversion of the subject into object (decorative or sexual) to acquire degrading connotations, but the commodification of the human body is linked to the history of art, has been its leitmotiv for centuries. If in the history of painting we review the evolution on the treatment of the naked or the intimate framing that spurs the spectator-voyeur libido, we can study how the parameters of shyness change with the […]

henry scott tuke - under the western sun - le bastart

Being queer before queer

As a student at the Royal College of Art in London, David Hockney had already developed an idealized image of America as a mecca for sexual freedom, an image forged between Walt Whitman’s verses and his fascination with Californian beefcake magazines, whose photographs of athletic ephebes inspired the poses of his own models. At that time his formal experimentation owed more to the obscene graffiti of public toilets than to museums. The academic atmosphere was […]

anthony stark - love - le bastart

Anthony Stark, erotic agony

May his thick beard not lead us to deceit. Anthony Stark is not a straggler hipster, rather we imagine him a kind of undisciplined disciple of Courbet. But the origin of the world of this nineteenth-century painter is the twilight of Stark’s own, because for him the desire is the prelude to death, his ecstatic announcement, the previous climb to the vertigo of the abyss. Because, as is underlined in his last pictorial series appropiating […]

carmen gonzalez castro - pigmalion - le bastart

Carmen González Castro, looking awry

We imagine the Carmen González Castro‘s studio full of volumes of art history scattered here and there among her paintings, each page glossed with pencil notes, underlined and studs. Because his artistic task has always been to comb the story against the grain, appropriating certain pictorial resources or certain foundational myths to rewrite them with her own pulse. Her playful and transgressive spirit leads her to dwell on the most ingenious techniques that painting has […]

jum whiting - walking women - le bastart

Erotic machinery, from pistons and cylinders to nanorobots

In the Freudian compendium of oniric symbolisms, the male genitalia are represented as revolvers, knives, swords, sticks … and complex machinic devices. The machine has traditionally been associated with masculinity in its productive and destructive aspect, but the artificial creatures (literary, mythological, filmic) have been mainly women: automatons Galateas, seductive android, Pandoras clad in metal after the Industrial Revolution, replicants with artificial intelligence in the cyber era. But it is not the ideal woman forged […]