diana coca - pekin - le bastart

Diana Coca, cross-border tactics

The same gray spreading through highways, tunnels and level crossings, manufacturing plants and new construction blocks. Suburban landscapes that only tread on infinite number of wheels, unavailable for the passer-by. Edges of cement more and more extensive that are repeated without hardly variation all over the world. Also the boundaries, increasingly high, longer, more impassable, are a model that extends through the world with few variations: containment barriers, electrified wire fences, motion sensors… In both […]

mosaico bikini girls - piazza armerina - le bastart

Athletic transgressions

Winckelmann revolutionized the historiography of ancient art by turning to the mystique of erotic contemplation. The artists’ school was in the gyms, he writes as he imagines Fidias going to the stadium to study the harmonious proportions of the athletes, their muscles in tension, the choreographic beauty of the struggles in the arena… Also, he figured Socrates in the arena recruiting young ephebos to whom to instruct in the art of the temperance. The contemplation […]

david trullo - boys love - le bastart

David Trullo, subversive museographies

David Trullo travels to the past again and again. It has done so by collecting visual flashes that somehow contributed to forge his personality (Timewarp), reconstructing episodes mutilated by the heteronormative speech (A true history) … Now, in his two current expositions reviews the queer iconography confronting with pieces of the National Museum of Decorative Arts (Queer cabinet) and tracing a personal homoerotic genealogy impregnated with lyricism and irony in equal parts (Souvenirs). The truth […]

pierre molinier - hanel - le bastart

Molinier and D’Agata, orphic beings

Photography is always a capture of an announced death. There is no future in it, said Roland Barthes. What you show will no longer return, if it has ever been. No wonder it is an artistic expression of those who are seduced by death most. Both the self-portraits that Pierre Molinier staged in the last years of his life locked in his apartment, like the photographs that Antoine d’Agata has been making from himself and […]

paul mccarthy - tied woman - le bastart

Paul McCarthy, the legacy of the Old West

Hygiene is the religion of fascism, Paul McCarthy told to his interlocutor in an interview in which he spoke of his intention to transform Hummel porcelain figurines into grotesque characters with phallic noses. His desire to unveil the obscene side of the idyllic pastoral life represented by these kitsch statuettes, to desecrate his cloying neatness, extends to all his artistic production, dedicated to turning the patriarchal morality around. And against social hygiene McCarthy proposes the […]

mateo mate - discobolo negro - le bastart

Mateo Maté, decanonizing the canon

Give back to the art what the power took from him could be one of the mottos that guide the projects of Mateo Maté. But since “great art” has along the history been venal, easily bribed, an instrument of propaganda…, its restitutions can not but be ironic. Just as the concept of “camouflage” had served the artist to establish correspondences between the Impressionist landscape and the mimetic tactics of military power, he now takes the […]

anne imhof - faust - le bastart

Anne Imhof, death alive in Venice

Rage, Angst, Deal … and now Faust: in the titles of Anne Imhof projects converge feelings associated with anxiety and juvenile nonconformity with the transactional component of any social contract or illicit agreement. Imhof has transformed the German pavilion of the Venice Biennale into delusive glass cages, before which it is difficult to know if those who are captive are the performers or the spectators. Transparency acts in the opposite direction to the fog in […]

roberta-marrero-ingres

Roberta Marrero, be a loser but a beautiful one

Roberta Marrero was born and grew up on an island, Gran Canaria, inserted in a culture, the Spanish, which in the beginning of the seventies was also insular, obscurantist and pious. At least, she remembers it thus. But that girl’s mind tore down all that fence, and with a genuinely postmodern spirit she began to record in her imaginary archive a peculiar iconographic blurring between stigmata and pop idol, between holy cards or sacred hearts […]