florencia rojas - luna mapa - le bastart

Florencia Rojas, starting from a secret of her own

Apparently, knowledge draws on from darkness to light, from the unknown to the known, from the unnameable to the catalogable, but all truth unearthed buries other possible truths. All consensus hides dissent. Whether it is intended to bias uncomfortable episodes of history or to defend assumed scientific objectivity, whether for profit or propaganda purposes, power is exercised by burying old ghosts in order to invent new ones. Florencia Rojas, in contrast, exhumates forgotten ghosts, moves […]

lee lozano - portrait - le bastart

Lee Lozano: splices, short circuits and scapes

Lee Lozano was an artist who didn’t want to be one more piece in the gear of art, who by her blood and guts came to choose what type of buyer were suitable to acquire her work; who decided where, how and when to exhibit; who fixed the moment of get to the top of her career and the term to finish it. Stubborn and irreverent, in 1970 managed to show in the most prestigious […]

veronica ruth frias- last supper - le bastart

Veronica Ruth Frias, life breaking the solemnity of art

The equivalence between art and life, the will to make life a matter of art in order to question inertia and patterns of behavior was decisive in the happening of the seventies, in the actions of Fluxus, in the first wave of feminism … However, during the last third of the twentieth century, the theme of motherhood was a burden for women artists, obsessed in their struggle to escape from the domestic sphere to which […]

adrian pino - metamorfosis - le bastart

Adrián Pino Olivera, from logos to myth

Among all the living creatures only the human race is free and eccentric, to say of Pico della Mirandola, because her freedom allows her to rise to the supracelestial spheres and at the same time to descent and drown in the mud. His colleague Marsilio Ficino founded in Eros, love, the integrative principle between matter and spirit, between the intelligible and the invisible orders that live beyond the astral world. Because the longing for beauty, […]

jum whiting - walking women - le bastart

Erotic machinery, from pistons and cylinders to nanorobots

In the Freudian compendium of oniric symbolisms, the male genitalia are represented as revolvers, knives, swords, sticks … and complex machinic devices. The machine has traditionally been associated with masculinity in its productive and destructive aspect, but the artificial creatures (literary, mythological, filmic) have been mainly women: automatons Galateas, seductive android, Pandoras clad in metal after the Industrial Revolution, replicants with artificial intelligence in the cyber era. But it is not the ideal woman forged […]

fito conesa - waltz - le bastart

Fito Conesa, in crescendo

The narrative obfuscate me, the words confine me, writes Fito Conesa. Music, on the other hand, offers unsuspected cadences, tones and interior intensities that can be modulated by unconventional overlaps between image and sound, between present and past, presences and absences. Conesa has given musical form or of instrumental composition to naval battles (Fantasy and fugue for Tsushima 2015), to suburban sunrises (Ouverture 2011), to the routine going up and down of an elevator (Chamber […]

rosana antoli - generaciones - le bastart

Rosana Antolí; play, pause, forward, reset

Everything is circular until is not is the title of Rosana Antolí‘s video, and at the same time it could summarize her vital philosophy, ergo, her artistic work. Dancing the hula hoop until it falls to the ground, trying to repeat again and again a few strokes on the paper knowing that they will never be the same, involve in that stroke the whole body transforming the canvas into a dance floor … The lucidity […]

abel azcona - agua - le bastart

Abel Azcona, empathy as an artistic subject

Intimacy is the highest degree of exposure and risk we can reach, it is pure inhospitable exteriority. Unlike the private, which we can lock in, the intimate can only be experienced in relation to others. We just feel naked and vulnerable when someone looks at us. I borrow from Jose Luis Pardo this semantic revision to better understand the work of Abel Azcona, because I recognize that when first time I met it generated mixed […]