The practice of appropriation is to apply an ecological sense to art, to recycle signs and forms from the past, often with the intention of desecrating icons, subverting canons, resignifying what used to be true in distant times. Javier Díaz Guardiola, Carmen González Castro and Nino Maza, a triad of curators of which the latter two also participate with their pieces, invite ten artists to “rewind and remaster” tongue in cheek. The hair of the […]
Categoría: Sculpture
Diana Larrea, reinventing streets, rewriting history
She subverts official versions of reality, understands other means of inhabite the city, celebrates anniversaries of women artists missing from art books, she prefers ephemeral interventions in street than museographic embalming of experience…, we could say that Diana Larrea always has felt attracted by the other side of the moon. This is the title of an ongoing group exhibition curated by Tomás Ruiz-Rivas, and refers to the alternative history of recent artistic practices that has […]
Marcel Dzama, make love… and war
A wooden house in a Canadian forest inhabited with maples and polar bears, isolated from the world except for the macabre news that broadcast a radio as stringing fragments of cruel tales. Howls of wolf and shots of hunters interrupt sometimes the announcer voice. A teenage boy in his pajamas, wrapped in his bed, gazes at the snowy meadows through the fogged glass of the window. He gets up at midnight, takes a piece of paper and […]
Symbols of convulsive beauty
Man has always seen in other kingdoms, animal and plant ones, ideal that in his own are difficult to find in its pure state: the nobility of the dog, the beauty and freshness of the flower as love symbol… But if we pause at the latter and defoliat it without compassion, soon is revealed the illusion of these utopian images. Unlike the leaves, that age with dignity, according to Georges Bataille, flowers wither like old and snobbish overly made-up widows, […]
Aurora Duque, why do they call it love?
Collage is a playful craft capable of escape the false absolutism of things, as Max Ernst said, because juxtaposing different realities these are relativized in a poetic and subversive way. But Max Ernst couldn’t yet foresee the current invasion of informative and disinformative collages circulating daily before our eyes, which makes the nowadays artists work of scissors and glue more complicated. The social, hegemonic and patriarchal imaginary has been able to appropriate the fortuitous encounter proclaimed […]
AES+F, existence as perpetual limbo
Entertainment in its most advanced state is no longer supported by evasion but rather by the exploitation of extreme emotions. Bruce Bégout speculated about it in his novel Le Park, about an island transformed into a resort not suitable for mass tourism, in which visitors could satisfy their most perverse desires. Dungeons in casinos basements, dangerous jungles and neurobiological architecture contributed to fill their morbid thirst for spectacle. The nouveau riche who participate in the […]
David Trullo, subversive museographies
David Trullo travels to the past again and again. It has done so by collecting visual flashes that somehow contributed to forge his personality (Timewarp), reconstructing episodes mutilated by the heteronormative speech (A true history) … Now, in his two current expositions reviews the queer iconography confronting with pieces of the National Museum of Decorative Arts (Queer cabinet) and tracing a personal homoerotic genealogy impregnated with lyricism and irony in equal parts (Souvenirs). The truth […]