When a subject carries such a devastating intensity as it was to turn modern art into a tool of torture, it is likely that any exposition about it will defraud us. But it can also happen that, as in Pedro G Romero‘s «Room», the playful lightening of the weight of History predisposes us to more flexible and audacious readings, freed from moral servitudes and invented truths. During the Spanish civil war, the checas were centers of detention […]