Rage, Angst, Deal … and now Faust: in the titles of Anne Imhof projects converge feelings associated with anxiety and juvenile nonconformity with the transactional component of any social contract or illicit agreement. Imhof has transformed the German pavilion of the Venice Biennale into delusive glass cages, before which it is difficult to know if those who are captive are the performers or the spectators. Transparency acts in the opposite direction to the fog in […]