nicolas schoffer entretenimientos sexuales - le bastart

Spaces of desire: from the sexual utopia to pornotopia

Licentiousness, yes, but subject to tight control. Architects, reformers and literati of the eighteenth century coincide in projecting or imagining houses of pleasure inspired by the panopticon of Bentham or anticipating its radial and controlling configuration: the ideal city conceived by Ledoux (in which could not be absent a temple for sex education, the Oikema) is built around that central eye; In The 120 days of Sodom, Sade gives semicircular form to the hall of […]

felicien rops messe noire - le bastart

Patriarchy and witchcraft

A man tells that when he lost his penis a witch came to ask him to return. She told him to climb into the tree and take the one he likes best in the nest where they kept the male organs. And when he wanted to take the biggest she said: you should not take that because it belongs to a parish priest. This extract don’t come from any milesian fable or racy tale but […]

yoshihiro tatsuki - le bastart

Semiotics of the veil

Since the discovery of the technique of wet-drapey in Classical Greece to the arty side of the advertising photo, from Phidias to Erwin Blumenfeld, to veil carnal pleasures has been the best way to enhance them. Now that everything is so overexposed the veil is a precious asset, a relic of  more surprising times, such as those that encouraged the encrypted porn, with gray weaving as curtains in front of coupled bodies. These filters, with […]

aida makoto school girls - le bastart

Japanese dolls: toys and idols

In an interview, the artist Makoto Aida justifies Japanese obsession with teenagers by what he calls feminization of the country, who lost his father after abolition of the army at the end of World War II. Aida’s work caricatures sexual philias of his countrymen, attacks the vernacular masochism rooted in ancient codes of honor, entrepreneurial fever and dreamy ways to escape. Since the floating time of ukiyo-e to the weightless walks between manga girls of […]

man ray casati divine decadence by le bastart

Decadence on eternal return

Loving nature is outdated, thought the aristocrat Des Esseintes, who after wasting half of his fortune  in worldly pleasures invested the rest in his artificial paradise away from the Parisian triviality. Mechanical fishes, monstrous hothouse flowers, a turtle with precious stones in the golden shell, a design to match the carpet. With this character, Joris-Karl Huysmans marked the zenith and the decline of decadence. The title of the novel, À rebours, summarizes his intention to […]

elmgreen dragset amigos - le bastart

Museum visitor as a sex tourist

The gay sauna, in a way, was born in gyms of ancient Greece, male socialization places where young people were trained in both physical exercise and spiritually. Athletics practiced naked (gymnos means nude) by young men with oiled bodies, with chiseled pectorals as Discophoros, admired by mentors (erastés) that would address their military, intellectual and sexual education. Gymnos, baths, palaestra, symposium … were the route gay friendly of the period, with the difference that they […]

rurru mipanochia en le bastart

Rurru Mipanochia, sexual polymorphism

Pre-Columbian codices report cosmogonies full of cruelty and eroticism, magic and transformations. Early interpretations, completely biased, of these pictograms came to us from the hosts of Hispanic conquerors, scandalized by polisexual divinity and phallic worship. In Mayan and Huasteca cultures, goddesses related to sexuality as Ixchel and Tlazolteotl were hermaphrodites. The second one incited to lust and drunkenness but was the assistant of women giving birth, healing,  earth and moon deity. It was often represented […]

jan sudek animals at le bastart

Teratological beauty

I am for a while the melancholy of a fragmented figure, and in that interval the mystery is revealed, Pierre Molinier The beauty of the monster began to be claimed by the romantic sensibility, when appeared aesthetic categories attending to emotional states rather than object qualities. Thus, the sublime and the grotesque will take the artistic experience to metaphysical grounds. In both concepts exist a conflict of internal forces between attraction and rejection, ecstasy and […]